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Second time designing the communication for the daring Radical Sounds Latin America. Once again framed by the big L (for Latam), the design sets itself loose from the rigid system of the previous year, freely experimenting, distorting and recycling language. This liberation aims to reflect the freedom and inventiveness of the art and music of Latin America.

"At the end of the day, it's about multidimensional resilience." Graphic design for the cover of the Debatte session of the progressive German newspaper Der Freitag. LIFE-WORK-BALANCE presents "an almost real expert discussion on the challenges of our present and future in the language of our time".

Neon Lobster is an art organisation for performing arts production and international distribution. Sometimes Always proposed a quite simple identity based on a single weight type system (ABC Gaisyr), one colour (purple) and a concrete logo that resembles the shape of a lobster.

Durations is a weekend-long multi-instrumental exploration of sound, asking how music connects body, mind, memory, and imagination across time. Presented by Public Records. Co-presented by Pioneer Works.

Graphics for Lou Jelenski first solo exhibition at Substance that happened between August and October 2024 in Marseille.

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IKSE is a sound system run by musicians and artists to build bridges between the electronic music veterans from abroad and the local newcomers. The project celebrates the diversity that makes Marseille the vibrant city IKSE was started in.

Poetics of Encryption is an extensive art project curated by Nadim Samman lasting for nearly a full year at KW Institute for Contemporary Art in Berlin, both in their physic and digital spaces. Sometimes Always was in charge in creating the full design system and communication for Poetics of Encryption. Over the course of a year, this system manifested across various media and scales, encompassing everything from the project's website and exhibition to artwork wall tags and urban billboards. 

New website design for Public Records. Developed by 101, the project aims to present the multifaceted aspects of Public Records and the diversity of activities that takes place in Gowanus, Brooklyn. Born in 2017, the organisation houses diverse sonic and cultural programming, imaginative food and beverage and innovative design explorations.

Book design for talented Zéphir published by les amis of Fidèle Studio.

Graphics for Teto Preto's new video for their single “Te Colocar No Teu Luga (TCNTL)” featuring Jup Do Bairro. The video was shot at Mamba Negra party in Soa Paylo by Hick Duarte and Carneosso with a huge talented team.

Dolce Stil Criollo’s fifth issue, “Extraordinarily Apotropaic,” aims to rethink reality in its current ordinary form by discovering and creating charms and rituals for changing it into one where there is less harm. The issue features poems in multiple languages; a map of dreams; a video game-turned-manga; a section that functions as a kineograph; a collaboration with the Huni Kuin people; and more.

Espontaneamente se Tenta: Aventuras Sonoras de Djalma Corrêa is an album of deeply exploratory pieces by legendary percussionist and composer Djalma Corrêa. This double-LP set features previously unreleased recordings that cover a wide range of sonic experiments, revealing an unknown side of the prolific and groundbreaking Brazilian artist. Most of the tracks on this album were digitized for the first time – directly from the original tapes – and were compiled in collaboration with Corrêa just before he passed.

Monograph poetry booklets as part of the universe of Dolce Stil Criollo. Each booklet is in double-sense where in one the content is presented in its original language, and in the reverse, in its translated version.

ID refresh for Caracol Bar in São Paulo. The first ID we designed for caracol 5 years ago was a turning point for Sometimes Always and has opened us so many doors. Now Caracol has moved address and a new chapter had begun.

Cover artwork for DJ Ramon Sucesso's "Sexta dos Crias", his first album released by our friends from Lugar Alto. The cover features Ramon shot by Marcelo Mudou freshing himself in a water tank at his home in Rio de Janeiro. The graphics are inspired by the artist’s absolute passion, the football team Flamengo.

Mundo Ritual stands for non-limiting dancing space, harsh body movement and radically respectful free-thinking on the dancefloor. We must move not to fall, we must gather not to isolate.

LP graphics for the outstanding release by our friends from Lugar Alto featuring the work of the unique multi-artist Akira Umeda. A historian by training, he became a ceramicist, a photographer, a visual artist, a draftsman, a graphic designer, a DJ, a musician, an audio technician, a writer, a researcher…

Visual identity and communication for Public Records new endeavour, a hybrid outdoor plant nursery, event and sound space. We were in charge of coming up with a design system that could communicate The Nursery solar healing aspects.

Dolce Stil Criollo is the sweet, creole style. Its 4th issue, published between New York and Berlin, is about “border theatrics.” The issue dramatizes the ways interpretation and performance create, destroy, sustain, and even entertain a border.

Open Secret is a six-month long program that explores images of the technological hidden in our apparently ‘open’ society. A digital exhibition at KW Institute for Contemporary Art, the project critically examines the digital infrastructures that organize civic life. Sometimes Always designed Open Secret's visual identity that is manifested in a website, social media and printed matter.

Set of packs created for the german beer Beck's. The design breaks the hierarchy of some elements, playing with things that are usually neglected by incorporating them to the layout. The packs contain no photography of the product and no 3D effects of any sort. The typography is protagonist and the logo is divided in two, half on the front and half on the back.

Visual identity, website, stationery and packaging designed for Reparations Club, a black-owned, women owned (book)shop focused on BIPOC literature and cultural production. Founded and managed by Jazzi McGilbert, Rep Club is located in Los Angeles, California.

Open Secret is a six-month long program that explores images of the technological hidden in our apparently ‘open’ society. A digital exhibition at KW Institute for Contemporary Art, the project critically examines the digital infrastructures that organize civic life. Sometimes Always designed Open Secret's visual identity that is manifested in a website, social media and printed matter.

Visual identity, website, stationery and packaging designed for Reparations Club, a black-owned, women owned (book)shop focused on BIPOC literature and cultural production. Founded and managed by Jazzi McGilbert, Rep Club is located in Los Angeles, California.

Presented by KW Institute Berlin, The Last Museum is an exhibition that explores tensions between the imagined ‘anywhere’ of digital space and its relation to concrete places and objects. Deploying a hybrid offline-online format, the project invites an international group of artists to reimagine site-specificity, through a sequence of interventions that cut across both real and virtual domains.

Fidèle is an outstanding riso press and a publisher based in Paris. We were invited to rethink their visual identity, website and printed matter. A project about loyalty to colours, techniques and collaboration.

Miilkiina is a new digital media space and creative agency based in New York and Dubai. Under their creative direction, we've been working on their visual identity, website and brand expressions since mid 2019.

Fast and furious journal we've just designed for Adidas Brazil. Virada News is a 16 pages tabloid featuring some of the activities supported by adidas in Virada Esportiva, a whole weekend of free sports activities that happens every year in Sao Paulo. ⁣

This is one of our favorite projects ever, the brand identity we designed for Caracol Bar early 2018. The reasons we love this so much are easy to name: first, its references are modernist Brazilian graphic design (Duarte, Wöllner, and cia)⁣, second because it is super simple⁣ and third because it makes use of technology to create auto generative compositions⁣.

Brand identity, website and communication for Veneno an online radio streaming 24/7 from Sao Paulo, Brazil. "Veneno" means poison in Portuguese and the logo was taken from the German pharmacies. It is baiscally the Apotheke logo turned upside down.